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Achilles famously refuses to fight after his dishonoring at the hands of Agamemnon, and only returns to the war due to unadulterated rage after Hector kills his close friend Patroclus.
Achilles plays a tragic role in The Iliad brought about by constant de-humanization throughout the epic, having his menis wrath overpower his philos love.
Heroes in myth often had close but conflicted relationships with the gods. Fate , or destiny, plays a massive role in the stories of classical heroes.
Countless heroes and gods go to great lengths to alter their pre-destined fate, but with no success, as no immortal can change their prescribed outcomes by the three Fates.
But, Oedipus slays his father without an afterthought when he unknowingly encounters him in a dispute on the road many years later.
The lack of recognition enabled Oedipus to slay his father, ironically further binding his father to his fate. Stories of heroism may serve as moral examples.
Classical heroes, regardless of their morality, were placed in religion. In classical antiquity , cults that venerated deified heroes such as Heracles , Perseus , and Achilles played an important role in Ancient Greek religion.
It is a set of 22 common traits that he said were shared by many heroes in various cultures, myths and religions throughout history and around the world.
Raglan argued that the higher the score, the more likely the figure is mythical. Expounded mainly by Joseph Campbell in his work The Hero with a Thousand Faces , it illustrates several uniting themes of hero stories that hold similar ideas of what a hero represents, despite vastly different cultures and beliefs.
Within these stages there are several archetypes that the hero or heroine may follow including the call to adventure which they may initially refuse , supernatural aid, proceeding down a road of trials, achieving a realization about themselves or an apotheosis , and attaining the freedom to live through their quest or journey.
Campbell offered examples of stories with similar themes such as Krishna , Buddha , Apollonius of Tyana , and Jesus. Occidental Mythology , Campbell writes "It is clear that, whether accurate or not as to biographical detail, the moving legend of the Crucified and Risen Christ was fit to bring a new warmth, immediacy, and humanity, to the old motifs of the beloved Tammuz , Adonis , and Osiris cycles.
Propp distinguished between seekers and victim-heroes. A villain could initiate the issue by kidnapping the hero or driving him out; these were victim-heroes.
Victims may appear in tales with seeker heroes, but the tale does not follow them both. No history can be written without consideration of the lengthy list of recipients of national medals for bravery , populated by firefighters, policemen and policewomen, ambulance medics and ordinary have-a-go heroes.
Carlyle centered history on the biography of a few central individuals such as Oliver Cromwell or Frederick the Great.
His heroes were political and military figures, the founders or topplers of states. His history of great men included geniuses good and, perhaps for the first time in historical study, evil.
Most in the philosophy of history school contend that the motive forces in history can best be described only with a wider lens than the one that Carlyle used for his portraits.
For example, Karl Marx argued that history was determined by the massive social forces at play in " class struggles ", not by the individuals by whom these forces are played out.
After Marx, Herbert Spencer wrote at the end of the 19th century: Before he can remake his society, his society must make him. The Annales School , led by Lucien Febvre , Marc Bloch and Fernand Braudel , would contest the exaggeration of the role of individual subjects in history.
Indeed, Braudel distinguished various time scales, one accorded to the life of an individual, another accorded to the life of a few human generations, and the last one to civilizations , in which geography , economics and demography play a role considerably more decisive than that of individual subjects.
Readings in the French and English Novel, — In the epoch of globalization an individual can still change the development of the country and of the whole world so this gives reasons to some scholars to suggest returning to the problem of the role of the hero in history from the viewpoint of modern historical knowledge and using up-to-date methods of historical analysis.
Within the frameworks of developing counterfactual history , attempts are made to examine some hypothetical scenarios of historical development.
The hero attracts much attention because most of those scenarios are based on the suppositions: If the term "heroine" exists, [ clarification needed ] "hero" is often the predominantly used term even though its neutrality can be put into question.
The definitions of the heroine often refer back to the one of the hero, but sometimes insinuate that their deeds are of less value, or were obtained only thanks to their love of God or a country or of a man.
Therefore, implying that an external explanation for the extraordinary nature of her deeds is needed to justify them.
The warrior women is considered unholy, unnatural. Acts of heroism coming from women are acceptable, during specific time, like when men are at war, during times of crisis, but they are otherwise often seen as suspicious.
Moreover, women are often not individualized, but praised as a group for heroic deeds. Women in the military were often subordinated to tasks less likely to be praised than armed combat, and are rather praised for their courage as a general force, nurses during wartime are a good example of this phenomenon.
If their story gets told, they are made to fit in the acceptable script. Their story is told in a way as to match the expectations of femininity ex: So the set of strengths in which a heroine could historically express her value are overall not the same and perceived as less valuable than their masculine counterpart.
In general, the cultural repertoire of heroic stories requires different qualities for each gender. The contrast of the ideal narrative line pits the autonomous ego-enhancing hero single-handedly and single-heartedly progressing toward a goal versus the long-suffering, selfless, socially embedded heroine, being moved in many directions, lacking the tenacious loyalty demanded of a quest.
If they get mentioned in history, the way their story is told also differs from their male counterpart, they are generally portrayed as young and beautiful, their actions are limited to a short time lapse in opposition to the possibility of a long heroic career for male heroes, underlying feelings that led to their heroic acts are underlined, overall less details about their life are kept and emphasis is put over their tragic death.
Not to forget that heroes and heroines are part of a social construct, their history is told and changes throughout history to serve different purposes of memory, propaganda according to diverse social, political or religious evolutions.
The word "hero" or "heroine", in modern times, is sometimes used to describe the protagonist or the love interest of a story, a usage which can conflict with the superhuman expectations of heroism.
In modern literature the hero is more and more a problematic concept. In , for example, William Makepeace Thackeray gave Vanity Fair the subtitle A Novel without a Hero , and imagined a world in which no sympathetic character was to be found.
Even the most sympathetic characters, like Captain Dobbin, are susceptible to weakness, as he is often narcissistic and melancholy.
The larger-than-life hero is a more common feature of fantasy particularly in comic-books and epic fantasy than more realist works.
The superhero genre is a multibillion-dollar industry that includes comic books, movies, toys and video games. Superheroes usually possess extraordinary talents and powers that no living human could ever emulate.
The superhero stories often pit a super villain against the hero, with the hero fighting the crime caused by the super villain. Social psychology has begun paying attention to heroes and heroism.
An evolutionary psychology explanation for heroic risk-taking is that it is a costly signal demonstrating the ability of the hero.
It can be seen as one form of altruism for which there are also several other evolutionary explanations. Roma Chatterji has suggested that the hero or more generally protagonist is first and foremost a symbolic representation of the person who is experiencing the story while reading, listening or watching;  thus the relevance of the hero to the individual relies a great deal on how much similarity there is between the two.
One reason for the hero-as-self interpretation of stories and myths is the human inability to view the world from any perspective but a personal one.
In the Pulitzer Prize -winning book The Denial of Death , Ernest Becker argues that human civilization is ultimately an elaborate, symbolic defense mechanism against the knowledge of our mortality, which in turn acts as the emotional and intellectual response to our basic survival mechanism.
Becker explains that a basic duality in human life exists between the physical world of objects and a symbolic world of human meaning. Thus, since humanity has a dualistic nature consisting of a physical self and a symbolic self, we are able to transcend the dilemma of mortality through heroism , by focusing our attention mainly on our symbolic selves.
By successfully living under the terms of the immortality project, people feel they can become heroic and, henceforth, part of something eternal; something that will never die as compared to their physical body.
This, in turn, gives people the feeling that their lives have meaning, a purpose, and are significant in the grand scheme of things. Science attempts to serve as an immortality project, something that Becker believes it can never do, because it is unable to provide agreeable, absolute meanings to human life.
The book states that we need new convincing "illusions" that enable us to feel heroic in ways that are agreeable.
Becker, however, does not provide any definitive answer, mainly because he believes that there is no perfect solution.
Terror Management Theory has generated evidence supporting this perspective. From Wikipedia, the free encyclopedia. This is the latest accepted revision , reviewed on 16 January For other uses, see Hero disambiguation and Heroes disambiguation.
For the film, see Heroism film. For the racehorse, see Heroic horse. Can you spell these 10 commonly misspelled words? Facebook Twitter YouTube Instagram.
Synonyms Example Sentences Learn More about hero. Synonyms for hero Synonyms: Noun 1 god , icon also ikon , idol Visit the Thesaurus for More.
Examples of hero in a Sentence Noun 1 A motto of his hero , Thomas Edison, is inscribed on a favorite sweatshirt: It pits an American-led coalition against a potentially lethal enemy … — Lorenzo Carcaterra , People , 3 June Other physicists, long wedded to the notion that nothing can escape from a black hole, have generally come to accept that discovery.
And the stuff emitted from little black holes and big ones too, but far more slowly is now called Hawking radiation. His father has always been his hero.
He has always been a hero to his son. Recent Examples on the Web: First Known Use of hero Noun 1 circa , in the meaning defined at sense 1a Noun 2 14th century, in the meaning defined above.
Learn More about hero. Resources for hero Time Traveler! Explore the year a word first appeared. From the Editors at Merriam-Webster. Now in a Galaxy Near You Jedi: Now in a Galaxy Near You No robes required.
Phrases Related to hero folk hero hero sandwich. Time Traveler for hero The first known use of hero was in the 14th century See more words from the same century.
More Definitions for hero. English Language Learners Definition of hero. Kids Definition of hero. More from Merriam-Webster on hero Rhyming Dictionary: