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Bhavani, who does not tolerate this development, deceives Leela into blindly signing a document that orders unrestrained killings of the Rajadis.
During Dusshera , as the Ramlila parade is ending, many of the Rajadis are killed and the village is on the brink of war, which Ram senses.
The two clans come together to cremate the bodies of the lovers. Bhansali conceived Ram-Leela while directing Khamoshi: The latter was critically acclaimed but commercially unsuccessful, leaving Bhansali with no money to fund Ram-Leela.
Feeling that directing two films set in the same place would be repetitive, Bhansali waited. He intended the film to be a tribute to Gujarat, saying, "I am Gujarati at heart.
He felt that the language heard by him were idioms for the current generation, who speak directly. Terming Romeo and Juliet as "the mother of all love stories", Bhansali wanted to make a different story with it, one that was not yet explored in cinematic adaptations.
While changing many aspects of the film, Bhansali kept the theme of "misunderstanding between star-crossed lovers", while transposing them to another level.
The idea of a feud between two families that destroys everything really appealed to him. Acocording to Bhansali, "the whole execution of Shakespeare is more flirtatious and voluptuous" and he felt his film was the best interpretation of Romeo and Juliet.
When asked about the extensive violence and guns in the film, he said that violence is "an integral part" of Romeo and Juliet, also stating how important it was for a filmmaker "to get out of his comfort zone".
The screenplay was written by writing duo Siddharth-Garima. Producer Sandeep Singh offered the duo three films; they chose Ram-Leela over the other two.
In addition to writing, they collaborated with Bhansali for the costumes, recces, shoot days, editing, subtitling, and post production.
After writing the initial screenplay draft, Siddarth-Garima were sent to Gujarat for researching dialect, slang and accent. Rhyming couplets from Romeo and Juliet were translated into Hindi and used in the film, with more emphasis on innuendo and humor as they felt that the elements were "overshadowed" by tragedy in the original play.
Pakistani actor Imran Abbas was the first choice for Ram, he rejected the role due to "contractual obligations". In an interview Bhansali revealed that he met Padukone with the script while she was ill; impressed with her beauty and watery eyes, he cast her.
Bhansali ordered Chadda to watch Mirch Masala to prepare for her look, which was inspired by Smitha Patel. Devaiah said that his character was from the Jadeja clan and has "enough shades of grey" and was "nothing" like he had done in his career at that point.
Singh, who plays a Gujarati boy, had to learn some Gujarati abuses as well as gain muscle for his character in the film.
Singh enrolled for a week transformation programme with Stevens, going on a strict protein diet which involved eating every two hours. He managed to get the required look in six weeks.
He was put on a diet of fish, broccoli, turkey and green tea and was prevented from eating roti, rice or sweets. Singh said, "I had to work out one hour in the morning and one hour in the evening.
I would work out at 5 in the morning, start shooting from 9, shoot for the entire day till 6 pm and then return to workout for an hour again.
According to her, the Garba performed in the film was a folk one, rather than the commercial ones often played.
Padukone spent more than 12 hours a day for the workshop, which involved partying, watch films and attending premieres together with Singh.
There were rumours that Madhuri Dixit would be performing an item number for the film. Wasiq Khan was the production designer for Ram-Leela.
Khan finished working on Rowdy Rathore , a film produced by Bhansali, when he was called for Ram-Leela. According to Khan, Bhansali sometimes took 3 to 5 hours for one shot to achieve "perfection".
He said that the challenge was to make the film both a romance and action film as the film would have a "rustic feel and texture" depicting action scenes, with lots of people fighting.
Khan found the experience of creating sets for Ram-Leela "different" from his previous films. Bhansali and Khan spent about 2—3 months observing locations and discussed references and drawings.
According to Khan, despite the decision to shoot half of the film on the sets and the other half in real locations, 90 percent of the film ended up shot on sets due to difficulties to shoot action sequences in real locations.
Some of the sets were created in Reliance and Film City. Interior sets were created at Reliance while an exterior set used to show the mohallas, streets and markets was set in Film City.
Khan and Bhansali travelled through villages in Gujarat and got references from the lifestyle, costumes and markets, which were used for putting together the sets.
The storage area of weapons are made so that the guns poke out of "straw baskets and from inside shimmering back-lit glass cases". The chamber in which Leela and Ram exchange messages has paintings of Raja Ravi Varma hung with "diaphanous curtains".
The walls are rough hued and lined with glasswork patches. Ram was a character who was "exposed to the world" yet resides in a village in Kutch, making his clothes have duality.
According to Basu, "for every ripped jeans or boots he sports, you also see him flaunting a kediyu and kohl-rimmed eyes.
Modi journeyed to the Bhoj region of Kutch and bought pieces of antique textiles from the villagers; she had to "mix and match" it with new fabric to create singular outfits.
Jewellery was taken from Amrapali Jewels, who lend their antique archives for shooting; these were not for sale. The dialogues of the film were written by Sr.
Manager Sawan Vyas . After Modi was finalized as the costume designer, she was sent the script for studying the character of Leela.
For the promotional poster, Modi created a 30 kilo lehenga. Initially shot in Gujarat , some sequences of Ram-Leela were shot in Udaipur , particularly at Udaipur palace and Gangaur Ghat where a song sequence was shot.
In February , the cinematographer Ravi Varman injured himself on set and suffered a fracture on his hand, leading to shooting being postponed till April.
He contrasted the planned shooting with that of his previous venture Saawariya , which was entirely shot on sets constructed in a studio.
Labeling outdoor shooting as "a big challenge" he added that shooting with different kinds of architecture was "interesting". He felt that putting the lead pair in a real space was "liberating and that he reacted to spaces "very differently", while noting that parts of Hum Dil De Chuke Sanam and Guzaarish were shot on real locations.
This is the second time Sanjay Leela Bhansali composed for a film, the first being the film Guzaarish. The lyrics are penned by Siddharth—Garima.
Daily News and Analysis gave the album four stars out of five and called it "a feast for music lovers" and writes, "Bhansali adds grandeur to the album with his compositions but at the same time gives enough space to the singers to shine.
The first teaser of the poster, featuring the lead actors standing on a cluster guns, was released in January Some religious groups opposed the movie claiming that the former title Ramleela was misleading because the movie had nothing to do with Ramlila , traditional enactment of the life and story of Hindu deity, Lord Rama.
A local court in Mumbai has issued an "ex-parte ad-interim stay" over the use of term Ramleela in the movie title. Ram-Leela released on 14 November Ram-Leela received positive critical reviews.
David Chute of Variety praised the dance numbers, writing, "The most effective sequences the two stars have together are the large-scale dance numbers, which are beautifully and imaginatively staged.
The technical aspects of the film are extraordinary: Deepika is perfect in every scene. Shubhra Gupta of The Indian Express gave the movie 2.
From Wikipedia, the free encyclopedia. For dramatic stagings of the life of Rama, see Ramlila. Bhansali Productions Eros International .
India portal s portal Film portal Bollywood portal. The Times of India. Retrieved 26 January Archived from the original on 27 January Archived from the original on 20 November Robert Sawyer Herbert d.
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